WORKING IN SHOWBIZ – A CONTINUING CX SERIES
3 Jun 2025
A show is a team game and we have to work together as best we can, so be ready to deal with all kinds of personalities.
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RISING 2025
“Another highlight is a production of Hamlet by Peruvian theatre company, Teatro La Plaza, that is performed by an entirely neurodivergent cast and features a giant video wall.”
MIXING THE LIGHT FANTASTIC
Whichever direction you take your mix, if you’re lucky enough to have an image in your head of what your soundstage ‘looks’ like, you have a solid foundation on which to build your sounds, reaffirming the vision in your head.
SPARK PLAYS THE GAME
Spark Game Arena Live: an event built around real-world interactivity, where RFID technology, live data tracking, and narrative design converged to turn every attendee into an active participant.
“The results were impressive- the distributed NEXO P12 system gave effective coverage to all the audience areas, and the voicing of the P12 was very well-suited to this application.”
Robe Rocks at the Eurovision Song Contest 2025
LD Tim Routledge and his team helped deliver a truly outstanding production for the world’s largest live music broadcast event
Amway China Leadership Seminar in Melbourne hosted 16,000 delegates, making it the largest incentive event ever held in Australia
White Light Joins Advatek’s Global Dealer Network to Bring World-Class Pixel Control to the UK
Advatek Lighting has announced that White Light has joined its global dealer network as an authorised distributor for the UK market
MUSIC AUSTRALIA EXPORT DEVELOPMENT FUND
Music Australia are offering $5,000 to $25,000 in matched funding for international tours by Australian contemporary music artists.
Premier Sound and Lighting’s Justin Myers
Despite not intentionally setting out to start a production company, the slow accumulation of gear organically led to an inventory that required less outside hiring.
Waves eMotion LV1 Classic console chosen for Pitbull show at NASCAR’s Daytona 500 broadcast
“I had all the necessary tools I needed to enhance and protect the audio stream, ensuring it was clean, dynamic, and broadcast-ready.”
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