Posts by Test Assistant
NIDA Prepares Students for The Future with Meyer Sound’s Spacemap Go
“Using Spacemap Go in a theatrical context has allowed more creativity and flexibility in my design to further immerse the audience into the world of the story.”
Read MoreAAMI doubles Ausmusic T-Shirt Day donations in the campaign’s final push
Music lovers can make the most of the matched giving fund by donating at ausmusictshirtday.org.au. The first $40,000 donated after 10am on Tuesday 19 November will be doubled by AAMI.
Read MoreWIRELESS MANAGEMENT AT THE ‘24 AFL GRAND FINAL
As with all live events, most of the hard work is in the planning stage and this is also true for RF Spectrum Management.
Read MoreCould taxing multi-national live music companies help grassroots players?
A levy for large performances and venues in Australia could create a much-needed revenue stream for independent and grassroots venues, promoters and artists who have been hit hard by inflation and rapidly rising insurance costs
Read MoreVISUALS FOR NOW OR NEVER FROM NOVATECH
Nathan wanted to do both front and rear projection; the front could be doing backgrounds, and then the rear could be doing punchy overlays. And sometimes we could take away the screens completely and just blast the architecture of the room with projection.
Read MoreADELE IN MUNICH
Apart from breaking new and experimental ground on multiple levels, the sheer scale of the stage design and scenography and the integration of all the technical elements to deliver this truly world-class show to so many people was mind-boggling!
Read MoreDoes WMAS Technology Still Require RF Management?
The complexity of RF Spectrum Management comes when there are multiple suppliers using lots of different systems that support differing technologies and they are not networked, so are not communicating with each other
Read MoreNovatech’s Big LED Looks at the 2024 NAIDOC Awards
“The main technical issue you have to be careful of when filming LED screens is moiré. We chose ROE Visual LED CB3 LED panels with 3.75mm pixel pitch, processed with Brompton processing. After testing colour, balance, and brightness, the ABC loved the look.”
Read MoreMIX ANTI-THEORY
Even if expertly deployed, words are inadequate at elucidating the infinitely complex nature of sound, preferences of taste, musical likes and dislikes and so on.
Read MoreTHE 2024 AFL GRAND FINAL PRE-GAME ENTERTAINMENT
-750+ wheels to get the stage and production on and off
-300+ crew for the move on and off 200 dancers on field
-Staging and production delivered in 25 semi trailers
-40+ tons of production
Shure MoveMic Two Receiver Kit
The MoveMics worked brilliantly on everyone I put them on; big boomy people, tiny quiet people, and everyone in between. There was barely anything to do to the audio in post.
Read MorePhaseshift’s Martin MAC Viper XIP and MAC Ones for Lime Cordiale
“The design is theatrical and cinematic instead of crazy flashing lights,” he added. “It’s designed to fit in with the screen content, so it was a visual show. I would emphasize that with lighting to make it seem bigger than it is.”
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