Production Reviews

“I was honestly blown away that something with the capabilities of the BRX300 exists at that price point.”
Chris Manton of Element ICT

Then there was the pyro – four confetti cannons for The Killers and twenty-four streamer shots for the happy birthday moment, “It was a lot of production!”

Astera Wireless technology is perfect when it comes to designing unique and creative gigs. It provides you with full flexibility when it comes to placement, rigging and programming

Benson was able to deploy his wireless rig, utilising multiple wireless mics, seamlessly and successfully for the Rattletrap 2022 at Crowdy Head.

This production is an artistic and technical masterpiece and was completely created in Sydney by Australians. It will conquer the world.

“It’s recommended that several nights are needed to take in the wonder and spectacle that Vivid Sydney has become.”

The Encore with its full spectrum source he describes “absolutely looks like someone is standing by a window.”

Handa Opera on Sydney Harbour stages Opera Australia’s The Phantom of the Opera. CX interviews sound designer Shelly Lee about her unique design, and the challenges of ‘rainfall events’

The entire production is a narration performed by British actor Juliet Stevenson, recorded binaurally, and played back to the audience via headphones. Most of it occurs, naturally, in full blackout